Tuesday 25 March 2008

The Credit Crunch Explained

MAGAZINE OF THE WEEK: Just different enough to FHM for me not to get sued... Oh, bugger!





MAIN EVENT:


Remember all the smug tossers you went to school with? You know, the ones that make you drift off into your own mental world when you meet them at parties, the unfortunate souls born without personalities, who all went into phenomenally well paying jobs in the city. Well those guys have been a little worried recently. Yeah I know, I didn’t care either, until I found out that what’s worrying these guys is probably pretty bad for us as well.

It’s called the credit-crunch and it’s causing a global tidal-wave of recession that is apparently set to send us all back to a 1970s standard of living, if we’re lucky. Those of us in retail/media/arts and therefore without unions, will more than likely end up in Dickensian poorhouses, with wooden teeth, sending our girl/boyfriends out whoring and begging Mr Fenniwinkle for another week to pay the rent. I’ve already bought my stovepipe hat.

NB: If you were foolish enough to buy a house you’re especially fucked. Ha ha – Not so grown-up now are you?

The most annoying thing about an economic crisis is that despite the fact that everyone is totally fucked nobody has any idea why. It’s like sharing a studio apartment with a complicated robot that doesn’t have an off-switch, whose sole purpose in life is to poke you in the eye as soon as you fall asleep. However, as someone who once, for three whole weeks, worked in Canary Wharf – or ‘Satan’s Cathedral of Evil’ to give it its full title – I feel qualified to spare us all this indignity. So prey silence for...

The No One Really Likes Jazz Guide to our Impending Doom

Like all good international fuck-ups, it began in Washington. The hilarious Bush administration, during one of their seltzer-bottle and custard-pie meetings, decided to give every Yahoo and Yokel in the country their very own mortgage. Unfortunately, they’d forgotten that thanks to the free-market economy, the peasants were employed in low paying and precarious jobs, and that due to the school system that they’d forgotten to fund for eight years, they were too stupid to look after their own teeth, let alone their own home.

So the Federal Reserve gleefully handed out credit to every slack-jawed commoner that wanted it assuming that it had enough spare, unfortunately it had already given most of it to contractors in Iraq, who blew it up, and Saudis, who fired it into the air in celebration.

When the Fed realised this, they dispatched every employee to the corners of the country to look for more credit, unfortunately this included the bloke whose job it is to hold onto the guy-rope that keeps the dollar down. Due to inflation the dollar soon over-inflated and slipped its moorings, sailing off into the sky. The yuan, who copies everything the dollar does (it’s so cute), followed suit and soon the currencies of the world’s two superpowers were racing each other to the moon.

For a while the pound and the euro simply drank coffee and giggled, marvelling at their newfound buying power. However, they soon realised that the US could no longer afford to buy their stuff and began to cry, which sent their own economies into a downward spiral.

At lavishly catered board meetings across the continent, executives agreed that action must be taken. Strangely, nobody suggested that they take a temporary pay-cut and put funds into marketing and R&D to sure up their market share. Instead the decision was taken to drastically cut jobs in everything but core departments and adopt a zero risk, zero growth, siege mentality – the corporate equivalent of putting your fingers in your ears and going la la la la la until everything’s alright.

The upshot is the sorry situation we’re in now. So basically, you should switch down a supermarket class - Waitrose to Sainsburys, Morrisons to Lidl etc –, forget about that holiday and not expect many scientific advances in the next decade. Sounds fun huh?

Now get back to work before they sack you.

Friday 14 March 2008

BEGINNERS GUIDE TO (GOOD) US TV

Dammit! I was so onboard with the whole Obama thing until I saw this. Now I’m seriously going to miss George.
http://www.youtube.com/watch?v=ghSJsEVf0pU

Oh, and do you remember the ‘I’m fucking Matt Damon’ song? Well this follow up was probably inevitable – very good though.
http://www.youtube.com/watch?v=sIQrBouWRiE&NR=1

Beginners Guide to (Good) American Telly.

Part 1: The West Wing and 24.

A couple of weeks ago I used this blog to vent my spleen on exactly why US television is so much better than ours. You’d have thought I’d have it out of my system by now. Apparently not, this is the rant that keeps on ranting so prey silence for my beginners guide to good US TV via the medium of talking about its 6 best shows of recent years in no particular order....

1. The West Wing.

Some people think that this programme is merely an exercise in self congratulation by left-leaning media types. However, considerably more people, with more teeth and less ‘complex’ family trees, think it’s one of the best things ever to be shown on telly.

It centres on the challenges facing president Jed Bartlett and the group of ‘Harvard types’ that make up his staff. The first two seasons are produced and largely written by Aaron ‘A Few Good Men’ Sorkin, who is to pithy dialogue what Jimmy Hendrix was to the electric guitar. The back and forth is quick-fire, witty and generally of a quality that makes a viewer suicidally ashamed to have ever laughed at a joke on ‘The OC’.

It’s also educational without being (very) preachy; I’m not ashamed to say that about half of everything I know about world politics comes directly from the show. The amount of politicos, presidents and journalists that list it as their favourite show should tell you a little bit about its realism too.

When Mr Sorkin left the show, as a result of being arrested with enough cocaine to frost the Leicester Square Christmas tree in his carry-on luggage (officially exhaustion), the show became soapier and lost some of its spark though remained better than 99.896% of the worlds TV.

Down-points. It’s a little too impressed with itself sometimes: there’s only so many ‘God Bless Americas’ a European can take. The soundtrack is also FUCKING ANNOYING! On a technical note, they spend a lot of screen time introducing people and storylines only to drop them a couple of episodes later - in one case a member of the core cast, Mandy simply disappears, though she was a right pain in the arse so I forgive them. Also there’s a very daft character called Donna who exists solely to explain semi-complicated plot points by endlessly popping up out of the blue asking questions like ‘so what’s all this about?’ I don’t care how complicated your story is. That’s just sloppy writing.

These are just niggles however. It’s still one of the best things ever to grace our screens.

Quote:

Josh: I really don’t anticipate the Capitol Building exploding.
Donna: What percentage of things exploding have been anticpated?

See For Yourself:
http://www.youtube.com/watch?v=rHaVUjjH3EI

2. 24.

Each series of 24 centres around a particularly hectic day for CTU (Counter Terrorist Unit) agent, Jack Bauer, as he tries to thwart some terrorists who have a bomb/virus/state secret/thingy that can make nuclear plants go wrong - delete as appropriate. With the obvious exception of Warren from Hollyoaks, Jack Bauer is the hardest man in television. Over the six series of 24 Jack has been shot, stabbed, blown up, addicted to heroin, tortured by the Chinese for 2 years, seen his wife murdered in front of him and been forced to kill his father and brother. Throughout all this he has never just said ‘oh for fucks sake’ and gone down the pub. Speaking as someone who once left his place of work in a huff because a colleague deleted a semi-important excel spreadsheet, I find this trait particularly admirable.

In later series Jack is given a sidekick called Chloe who has a really weird looking face and sits somewhere on the autistic spectrum. I can’t put my finger on it, but some reason she’s my favourite character in any TV show ever.

The show isn’t perfect. In fact there’s a lot wrong with it, for instance it’s more in need of a sense of humour than any programme I’ve ever seen. It would also be nice to have just one episode where Jack doesn’t have to brutally torture someone for the good of national security – Amnesty International are very much not fans (Fucking hippies!). Also, the acting is highly suspect and there’s several niggling questions that don’t seem to leave your head when you watch it: Why do the terrorists only ever attack LA? Shouldn’t there be someone over 35 working at CTU? Why does no one ever eat?

None of this is really that important though. The real appeal of the show is that almost without fail the producers manage to create consistent tension with credible cliff-hangers every 15 minutes – a difficult thing to do. Often you literally can’t look away as Jack drives around at speed chopping people’s fingers off, having personal Crises and saying ‘Dammit!’

So much so that this programme should really come with a health warning. Seriously, it’s the crack cocaine of TV Drama. Sit down with a box set and watch an episode - I defy you not to watch another straight after. Before you know it you’re strung out on explosions and melodramatic dialogue and your attention span has shrunk to that of a Meer Cat on ProPlus. Smokers whinge about Nicotine. Pussies! Where’s my Bauer patch!

You realise things have gotten really bad when you start doing things like ringing the switchboard at work and asking to be ‘patched through’ to people. At that point it’s time to read a book.

Quote: ‘Chloe. We don’t have time for your personality disorder today!’
(Bill Buchanan. Director, CTU)